Free Jazz Improvisation PDF Downloads
From Shiapedia
All set to boost your jazz improvisation abilities for the piano? More simply, if you're playing a tune that's in swing time, after that you're already playing to a triplet feeling (you're visualizing that each beat is divided right into three eighth note triplets - and every off-beat you play is postponed and used the third triplet note (so you're not even playing two uniformly spaced eighth notes to start with).
So as opposed to playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which indicates to compose tunes utilizing the four chord tones of the chord (1 3 5 7).
For this to function, it needs to be the following note up within the scale that the music is in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note length (half note, quarter note, eighth note) - yet when soloing, it's generally related to 8th notes.
Just precede any type of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (with the entire colorful scale), and Bookmarks make note of all the notes that aren't in your present scale. Cm7 voicing (7 9 3 5) with single tune note (C) played to intriguing rhythm.
Currently you could play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you simply play the very same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You likewise get a great series of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a short range in your solo. Nevertheless, to quit your having fun from seeming foreseeable (and burst out of eighth note pattern), you require to differ the rhythms now and then.
